"Misa a Buenos Aires "Misatango": IV. Sanctus" by MartÍn Palmeri, Dagmar Linde, Bach-Chor Siegen, Rocco Heins, Peter Scholl, El Arroyo Tango Orchestra, Ulrich Stötzel was released on March 2, 2018. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Palmeri: Misa a Buenos Aires". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Misa a Buenos Aires "Misatango": IV. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Misa a Buenos Aires "Misatango": IV. Sanctus by MartÍn Palmeri, Dagmar Linde, Bach-Chor Siegen, Rocco Heins, Peter Scholl, El Arroyo Tango Orchestra, Ulrich Stötzel having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
Sueño de Barrilete | Eladia Blazquez, MartÍn Palmeri, Tous Ensemble Coro, Emiliano Linares | E Major | 7 | 12B | 111 BPM | ||
Xasaposerviko | The Royal Wind Music | C Major | 1 | 8B | 97 BPM | ||
Stabat Mater, FP 148: VII. Eja mater | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | E♭ Major | 3 | 5B | 182 BPM | ||
Stabat Mater: I. Stabat Mater | Domenico Scarlatti, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Magnificat: III. Quia fecit mihi magna | John Rutter, The Cambridge Singers, City of London Sinfonia | G Major | 1 | 9B | 65 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Tenebrae, Nigel Short | C Major | 1 | 8B | 139 BPM | ||
Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen | Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke | B♭ Minor | 1 | 3A | 129 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 3, Zum Evangelium und Credo | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM |
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