"Miserere in F Minor: Asperges me hyssopo (Soprano)" by Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco Placci was released on January 1, 2000. With Miserere in F Minor: Asperges me hyssopo (Soprano) being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Sarti: Miserere in F Minor". In this album, this song's track order is #6. In terms of popularity, Miserere in F Minor: Asperges me hyssopo (Soprano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Miserere in F Minor: Asperges me hyssopo (Soprano) by Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco Placci having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
Aik Tum | Fay Qaf, Hafi Mustafa, Joylin, Alberto Bianchi, Andrei Ilie, Filippo Tramontana, Viktor Slamnig | F♯ Minor | 5 | 11A | 100 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
A Child of our Time, Part II: A Spiritual. O! by and by (Soprano, Chorus) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | N/A | N/A | N/A | 0 BPM | ||
L'incoronazione di Poppea, SV 308 / Act II: Adagiati, Poppea - Oblivion soave | Claudio Monteverdi, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner | G Minor | 0 | 6A | 106 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Manon, Act II: En fermant les yeux - Remastered 2024 | Jules Massenet, Raphael Arié, London Symphony Orchestra, Josef Krips | D Major | 1 | 10B | 80 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM |
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