"Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble)" by Richard Wagner, KammerMusikKöln, Kathrin Zukowski was released on April 19, 2024. The duration of Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Wagner Project". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) by Richard Wagner, KammerMusikKöln, Kathrin Zukowski having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre / Dritter Aufzug: So tatest du, was so gern zu tun ich begehrt | Richard Wagner, Hans Hotter, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 72 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Frisch weht der Wind der Heimat zu" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Peter Schreier, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 1 | 8B | 78 BPM | ||
Threni, Lamentations of Jeremiah: IV. De elegia tertia, Sensus spei | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Elizabeth Atherton, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt | G Minor | 0 | 6A | 140 BPM | ||
Vom Himmel hoch: IV. Aria "Sei willekomm, du edler Gast!" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | G Major | 0 | 9B | 73 BPM | ||
Serse, HWV 40, Act I: O voi, che penate (Romilda, Arsamene, Elviro, Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: I see not those false spirits | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
19 Polish Songs, Op. 74: No. 2. Wiosna | Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk | F Major | 2 | 7B | 133 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM |
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