"19 Polish Songs, Op. 74: No. 2. Wiosna" by Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk was released on November 16, 2010. With 19 Polish Songs, Op. 74: No. 2. Wiosna being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 23 in Chopin: Songs by Frédéric Chopin, Olga Pasichnyk. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 19 Polish Songs, Op. 74: No. 2. Wiosna's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 19 Polish Songs, Op. 74: No. 2. Wiosna by Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Elijah, Op. 70: "Lord, Bow Thine Ear to Our Prayer!" (Duet With Chorus) | Felix Mendelssohn, Gabrieli, Sarah Connolly, Rosemary Joshua, Paul McCreesh | F Major | 2 | 7B | 106 BPM | ||
Don Giovanni, K. 527, Act I: "Batti, batti, o bel Masetto" | Wolfgang Amadeus Mozart, Kathleen Battle, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 89 BPM | ||
Gloria, FP 144: 5. Domine Deus, Agnus Dei | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 95 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Mörike-Lieder: No. 6, Er ist's | Hugo Wolf, Felicity Lott, Geoffrey Parsons | G Major | 1 | 9B | 91 BPM | ||
Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 91 BPM | ||
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | D Major | 1 | 10B | 67 BPM | ||
Liederkreis, Op.39: In der Fremde | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | B Minor | 0 | 10A | 138 BPM |
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