Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio's 'Violettes imperiales' came out on November 15, 2005. The duration of Violettes imperiales is about 3 minutes long, at 3:06. Based on our data, "Violettes imperiales" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ana Maria Martinez, Steven Mercurio's "Martinez, Ana Maria: Soprano Songs And Arias" album is number 6 out of 11. Violettes imperiales is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violettes imperiales by Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 2, Op. 22: III. Presto | Camille Saint-Saëns, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | G Minor | 2 | 6A | 108 BPM | ||
Suite in A Major, Op. 98a, B. 190 "American": II. Allegro | Antonín Dvořák, Prague Philharmonia, Jakub Hrůša | A♭ Minor | 0 | 1A | 139 BPM | ||
Stabat Mater, FP 148: XII. Quando corpus | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | A♭ Minor | 1 | 1A | 97 BPM | ||
L'Abbandono | Vincenzo Bellini, Cecilia Bartoli, James Levine | C Minor | 1 | 5A | 70 BPM | ||
Acapulco | Francis Lopez, Roberto Alagna | C Minor | 7 | 5A | 122 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
La Sonnambula / Act 1: Tutto è gioia, tutto è festa | Vincenzo Bellini, Isobel Buchanan, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 4 | 4B | 86 BPM | ||
Symphony No. 35 in D Major, K. 385 "Haffner": V. Finale (Presto) | Wolfgang Amadeus Mozart, Prague Philharmonia, Jiří Bělohlávek | D Major | 3 | 10B | 142 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM |
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