"Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri)" by Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris was released on March 1, 2024. Since Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Michael Spyres, Christophe Rousset, Les Talens Lyriques, Gaspare Spontini, Giacomo Meyerbeer, Gioachino Rossini, Ludwig van Beethoven, Richard Wagner's "In the Shadows" album is number 4 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) by Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet royal de la Naissance de Vénus, LWV 27, Première partie: Ouverture | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | F Major | 2 | 7B | 116 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Appressati, Lucia" (Enrico) | Gaetano Donizetti, Tullio Serafin, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | C Major | 0 | 8B | 72 BPM | ||
Armida, Atto Secondo Scena 4: Dilegua il tuo timore (Armida, Rinaldo) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Lenneke Ruiten, Florie Valiquette | A Major | 2 | 11B | 68 BPM | ||
Troisième livre: Les Graces | Jacques Duphly, Christophe Rousset | D♭ Major | 4 | 3B | 97 BPM | ||
Le Villi: Act I - Non esser, Anna mia, mesta sì tanto... Tu dell'infanzia mia | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Wagner: Rienzi: "Allmächt’ger Vater, blick herab" (Rienzi) | Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Chi è" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, Philharmonia Chorus, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Qui di sposa eterna fede...Ah, soltanto il nostro foco" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
Così fan tutte, K.588, Act II: Rondo. "Per pietà, ben mio, perdona" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM |
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