Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi made "La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II" available on December 13, 2019. With La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 16 in Auber: Overtures & Other Works by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421) | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | ||
Concerto a due cori No. 3, HWV 334: V. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM | ||
Concerto a due cori No. 2, HWV 333: II. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 3 | 10A | 116 BPM | ||
Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM | ||
Violin Concerto in E Major, D. 53 (Arr. for Trumpet & Orchestra): III. Allegro grazioso | Anonymous , Giuseppe Tartini, Guido Segers, Czech Philharmonic Chamber Orchestra, Filip Dvořák, Marek Štilec | D Major | 2 | 10B | 111 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
6 Violin Sonatas, Op. 10b No. 6 in C Major, J. 104: I. Allegro con fuoco | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Major | 1 | 8B | 74 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: IV. Grave - Presto - Studio Recording | Francesco Geminiani, I Musici | B♭ Major | 2 | 6B | 114 BPM | ||
サン=サーンス:交響曲 第3番 ハ短調 作品78 「オルガン付」 1 (Part1) Adagio-Allegro Moderato | Czech Philharmonic Chamber Orchestra, Ken-Ichiro Kobayashi | A♭ Major | 1 | 4B | 108 BPM | ||
Macbeth: Menuetto to be Play’d at the Banquet | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 0 | 10B | 113 BPM |
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