Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi's 'Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421)' came out on April 26, 2024. With Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 20 in Auber: Overtures, Vol. 6 by Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421) by Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 7 - Folge 15: Der Freischütz | Gruselkabinett, Marius Claren, Luise Helm, Jochen Schröder, Johann August Apel | G Major | 6 | 9B | 127 BPM | ||
Le Philtre, S. 20: Overture (Live) | Daniel Auber, Cracow Philharmonic Orchestra, Luciano Acocella | C Major | 5 | 8B | 135 BPM | ||
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Kurt Masur, Gewandhausorchester | B Minor | 1 | 10A | 72 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 107 BPM | ||
アヴェ・マリア | Johann Sebastian Bach, Yoshie Ueno, 三浦友理枝 | C Major | 0 | 8B | 135 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: IV. Var. III. Andantino Tranquillo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | E Major | 1 | 12B | 86 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Symphony No. 3, Op. 56, "Scottish": II. Vivace non troppo | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM |
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