Leó Weiner, Budapest Strings, Karoly Botvay made "Divertimento No. 1, Op. 20: IV. Verbunkos" available on January 1, 1994. The duration of Divertimento No. 1, Op. 20: IV. Verbunkos is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Divertimento No. 1, Op. 20: IV. Verbunkos's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Orchestral Music (Hungarian) - Kauer, F. / Csermak, A. / Rozsavolgyi, M. / Weiner, L. (Hungarian Dances)". In this album, this song's track order is #33. In terms of popularity, Divertimento No. 1, Op. 20: IV. Verbunkos is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Divertimento No. 1, Op. 20: IV. Verbunkos by Leó Weiner, Budapest Strings, Karoly Botvay having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II (1) - Remastered 2024 | Johann Sebastian Bach, Hermann Scherchen, Vienna State Opera Orchestra | C Major | 0 | 8B | 75 BPM | ||
Madrigale | Frank Kim | D Major | 1 | 10B | 101 BPM | ||
Symphony No. 50 in D Minor, Op. 10, No. 5: III. Presto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 0 | 10B | 87 BPM | ||
Symphony in A Major, Brown A4: III. Allegro | Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon | F Major | 0 | 7B | 80 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
チャイコフスキー: バレエ「眠れる森の美女」より「青い鳥のパドドゥ」 | ogsogs | A Major | 1 | 11B | 105 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Serenade in G Major, Op. 23, No. 3, G. 147 (version for flute and piano): II. Marcia - Risoluto | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | C Major | 1 | 8B | 140 BPM | ||
Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Jan Krtitel Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | F Major | 0 | 7B | 70 BPM | ||
Csardas (arr. for flute and chamber emsemble) | Vittorio Monti, Peter Wolf, Istvan-Zsolt Nagy, Budapest Strings | D Major | 2 | 10B | 75 BPM |
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