"7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit)" by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart was released on June 6, 1994. The duration of 7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 12 in Flem: Symphony No. 4 / Le Grand Jardinier De France / Pour Les Morts by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart, Gilles Nopre. In terms of popularity, 7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Symphony No. 1 G Minor: II. Andante | Étienne Nicolas Méhul, Rhenish Philharmonic Orchestra, Jorge Rotter | D Major | 1 | 10B | 91 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra | D Major | 0 | 10B | 119 BPM | ||
Sorochinsky Fair: Gopak | David Measham, West Australian Symphony Orchestra | G Major | 2 | 9B | 116 BPM | ||
6 Lieder, Op. 86: No. 2. Feldeinsamkeit | Johannes Brahms, Margaret Price, James Lockhart | A♭ Major | 0 | 4B | 84 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: IV. Larghetto | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | C Minor | 3 | 5A | 76 BPM | ||
Les Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | A Major | 0 | 11B | 99 BPM | ||
Gli uccelli, P. 154: I. Preludio | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | A Major | 1 | 11B | 75 BPM | ||
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
7 Pieces enfantines (7 Children's Pieces): La chapelle (The Chapel) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | A Major | 0 | 11B | 137 BPM |
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