"Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus" by Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie was released on April 27, 1989. The duration of Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Based on our statistics, Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus by Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K. 588: Act 1: "Faccia Che Al Campo Giunga" - Terzettino "Soave Sia Il Vento" | Wolfgang Amadeus Mozart, Concerto Köln, Véronique Gens, Bernarda Fink, Pietro Spagnoli, René Jacobs | A♭ Minor | 0 | 1A | 167 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 129 BPM | ||
Chants d'Auvergne, Vol. 1: No. 4. Brezairola (Lullaby) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 0 | 6B | 94 BPM | ||
Paulus: I. Teil: Nr. 10 Chor "Siehe, wir preisen selig die erdultet haben" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | G Major | 1 | 9B | 145 BPM | ||
Stabat Mater, SdB. 008: VIII. Eya Mater, fons amoris | Sébastien de Brossard, Nicholas Scott, Les Arts Florissants, Paul Agnew | B♭ Major | 1 | 6B | 65 BPM | ||
Christ lag in Todes Banden, BWV 4: Es war ein wunderlicher Krieg (Chorus) | Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | C Minor | 1 | 5A | 74 BPM | ||
Chants d'Auvergne, Vol. 1: No. 6. Lou Coucut (The Cuckoo) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 101 BPM | ||
Magnificat: Magnificat | Giovanni Battista Pergolesi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 172 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM |
Section: 0.6239550113677979
End: 0.627448558807373