"Mondonville : In exitu Israel : "Mare vivit"" by Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants was released on October 28, 1997. With Mondonville : In exitu Israel : "Mare vivit" being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Joseph Cassanéa De Mondonville, William Christie's "Mondonville : Grands Motets" album is number 8 out of 21. Mondonville : In exitu Israel : "Mare vivit" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mondonville : In exitu Israel : "Mare vivit" by Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todes Banden, BWV 4: II. Coro "Christ lag in Todes Banden" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E♭ Minor | 4 | 2A | 112 BPM | ||
Messe de Minuit, H. 9: Kyrie | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Jordan Mouaïssia, Etienne Bazola | C Major | 2 | 8B | 94 BPM | ||
Davide penitente, K. 469: Cantiam le glorie (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Major | 2 | 8B | 120 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Stabat Mater: Stabat Mater: VI. Vidit suum dulcem natum | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss, Carolyn Sampson | B Minor | 1 | 10A | 87 BPM | ||
Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen | Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke | B♭ Minor | 1 | 3A | 129 BPM | ||
Scherzi musicali: Damigella tutta bella, SV 235 | Claudio Monteverdi, Magdalena Kozená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon | B♭ Major | 3 | 6B | 136 BPM | ||
Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM |
Section: 0.6284139156341553
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