Thomas Hengelbrock's 'Miserere in C minor: Misere II' came out on October 1, 2009. With this song being about 5 minutes long, at 4:54, "Miserere in C minor: Misere II" by Thomas Hengelbrock is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 27 in Bach, Lotti, Zelenka by Thomas Hengelbrock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Miserere in C minor: Misere II is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Miserere in C minor: Misere II by Thomas Hengelbrock is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wir wissen, so unser irdisches Haus (Motet) | Johann Ludwig Bach, Thomas Hengelbrock | F Minor | 2 | 4A | 111 BPM | ||
Sinfonia for Strings in A major, RV 158: Allegro | Antonio Vivaldi, Freiburger Barockorchester, Thomas Hengelbrock | A♭ Major | 3 | 4B | 125 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | ||
Pfingstlied aus "Peer Gynt" | Edvard Grieg, Thomas Hengelbrock | D Major | 0 | 10B | 174 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Gott soll allein mein Herze haben, Cantata BWV 169: 7. Choral: "Du süsse Liebe" | Johann Sebastian Bach, Andreas Scholl, Junko Takamaya, Michael Feyfar, Raitis Grigalis, Kammerorchester Basel, Julia Schröder | A♭ Major | 2 | 4B | 117 BPM | ||
Requiem in F Major: Dies Irae: Quantus tremor | Antonio Lotti, Thomas Hengelbrock | F♯ Minor | 2 | 11A | 128 BPM | ||
Durante: Messa a 5 voci: "Domine Fili unigenite" | Francesco Durante, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 2 | 3B | 117 BPM |
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