"Gott soll allein mein Herze haben, Cantata BWV 169: 7. Choral: "Du süsse Liebe"" by Johann Sebastian Bach, Andreas Scholl, Junko Takamaya, Michael Feyfar, Raitis Grigalis, Kammerorchester Basel, Julia Schröder was released on January 1, 2011. With Gott soll allein mein Herze haben, Cantata BWV 169: 7. Choral: "Du süsse Liebe" being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 16 in Andreas Scholl - Bach Cantatas by Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Gott soll allein mein Herze haben, Cantata BWV 169: 7. Choral: "Du süsse Liebe" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gott soll allein mein Herze haben, Cantata BWV 169: 7. Choral: "Du süsse Liebe" by Johann Sebastian Bach, Andreas Scholl, Junko Takamaya, Michael Feyfar, Raitis Grigalis, Kammerorchester Basel, Julia Schröder is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Indian Queen, Z. 630 / Act 3: I Attempt From Love's Sickness To Fly | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Major | 2 | 12B | 83 BPM | ||
St. John Passion: Part One Coro. Herr, unser Herrscher | Johann Sebastian Bach, Ricercar Consort, Hans-Jörg Mammel, Carlos Mena, Philippe Pierlot, Maria Keohane, Jan Kobow | F♯ Minor | 2 | 11A | 76 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
Giulio Cesare / Act 3: Aure, deh, per pietà | George Frideric Handel, Andreas Scholl, Accademia Bizantina, Ottavio Dantone | F♯ Minor | 1 | 11A | 131 BPM | ||
II. Nach Dir, Herr, Verlanget Mich BWV 150, Coro: Meine Tage In Dem Leide | Holland Boys Choir; Netherlands Bach Collegium, Trudy Van Der Wulp, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton, Sytse Buwalda, Knut Schoch, Pieter Jan Leusink | A♭ Major | 1 | 4B | 94 BPM | ||
Easter Oratorio, BWV 249: Kommt, eilet und laufet (Chorus) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | B♭ Minor | 1 | 3A | 35 BPM | ||
I. Ein Feste Burg Ist Unser Gott BWV 80, Coro: Ein Feste Burg Ist Unser Gott | Holland Boys Choir; Netherlands Bach Collegium, Frank Wakelkamp, Knut Schoch, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Martin Mans, John Wilson Meyer, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 3 | 3B | 88 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 30. Aria, "Es ist vollbracht" (Seele) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, William Shelton | A♭ Minor | 2 | 1A | 96 BPM | ||
Ecco che alfin ritorno: La pietà che ancor non trova | Francesco Gasparini, Andreas Scholl, Accademia Bizantina, Ottavio Dantone | D Major | 0 | 10B | 69 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 109 BPM |
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