- BPM
- 35
- Key
- B♭ Minor
- Camelot
- 3A
Easter Oratorio, BWV 249: Kommt, eilet und laufet (Chorus) - Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki Information
- Acousticness
- 96%
- Danceability
- 62%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 23%
- Loudness
- 61%
- Speechiness
- 7%
- Valence
- 5%
- Popularity
- 4%
- Loudness
- -23.221 dB
Summary
"Easter Oratorio, BWV 249: Kommt, eilet und laufet (Chorus)" by Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki was released on February 1, 2006. With this song being about 5 minutes long, at 4:59, "Easter Oratorio, BWV 249: Kommt, eilet und laufet (Chorus)" by Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 20 in Bach, J.S.: Easter Oratorio / Ascension Oratorio by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Easter Oratorio, BWV 249: Kommt, eilet und laufet (Chorus) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Easter Oratorio, BWV 249: Kommt, eilet und laufet (Chorus) BPM
The tempo marking of Easter Oratorio, BWV 249: Kommt, eilet und laufet (Chorus) by Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki is Grave (very slow), since this song has a tempo of 35 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Easter Oratorio, BWV 249: Kommt, eilet und laufet (Chorus) Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Chorale: Jesu, deine Passion | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 93 BPM | |
 | Ich weiss, dass mein Erloser leb, TWV 1:873: Dictum | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | B Major | 1 | 1B | 115 BPM | |
 | Concerto No. 5 In D Major BWV1050 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | |
 | II. Der Friede Sei Mit Dir BWV 158, 4. Choral (Coro): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Pieter Jan Leusink | E♭ Minor | 1 | 2A | 144 BPM | |
 | Hail! bright Cecilia!: Hail! bright Cecilia!: IX. The airy Violin | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze | D♭ Major | 1 | 3B | 73 BPM | |
 | Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM |
- ISRC
- SEAEP0561030
- Label
- L-M Records/RCA Records
Section: 1.4206790924072266
End: 1.424027442932129