"Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir" by Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör was released on January 1, 2000. With Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Heinrich Kaminski, Gerd Guglhör's "Kaminski, H.: Choral Music" album is number 1 out of 25. Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir by Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Psalms, Op. 74: No. 1, Hvad est du dog skjon (How Fair Is Thy Face) | Edvard Grieg, Audun Iversen, Bård Bratlie, The Norwegian Soloists' Choir, Grete Pedersen-Helgerod | A Minor | 0 | 8A | 128 BPM | ||
Messe Solennelle, Op. 16 - Sanctus | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | E Major | 2 | 12B | 93 BPM | ||
Präludium und Fuge über den Namen ABEGG: II. 2. Präludium und Fuge über den Namen ABEGG | Glenn Gould, Heinrich Kaminski, Minguet Quartett | D Minor | 4 | 7A | 71 BPM | ||
Psalm 130, Op. 1a "Aus der Tiefe rufe ich, Herr, zu dir" | Heinrich Kaminski, Jugendkonzertchor der Chorakademie Dortmund, Felix Heitmann | C Major | 1 | 8B | 73 BPM | ||
Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | ||
Mass No. 3 in C Major, Hob.XXII:5, "Missa Cellensis in honorem BVM", "Cacilienmesse": Sanctus: Benedictus | Joseph Haydn, Priska Eser-Streit, Anne Buter, Christoph Genz, Thomas Hamberger, Munich Orpheus Choir, Munich Neue Hofkapelle, Gerd Guglhör | E Major | 1 | 12B | 135 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Maria durch ein Dornenwald ging | Heinrich Kaminski, Jörg Straube, Norddeutscher Figuralchor | A Minor | 0 | 8A | 90 BPM | ||
O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM |
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