"Messe Solennelle, Op. 16 - Sanctus" by Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot was released on February 16, 2009. The duration of Messe Solennelle, Op. 16 - Sanctus is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Messe Solennelle, Op. 16 - Sanctus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Ha, Francis Bardot's "Louis Vierne, Messe Solennelle, Op. 16" album is number 3 out of 10. In terms of popularity, Messe Solennelle, Op. 16 - Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe Solennelle, Op. 16 - Sanctus by Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
24 Pièces en style libre, Op. 31, Livre II: III. Arabesque | Louis Vierne, Ben van Oosten | D Major | 0 | 10B | 72 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Suite for Flute and Piano Op. 34 No 1: II Scherzo | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | C Major | 1 | 8B | 139 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | B♭ Major | 1 | 6B | 85 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM |
Section: 0.7287094593048096
End: 0.7348339557647705