- BPM
- 61
- Key
- E Minor
- Camelot
- 9A
Two Dialogues with Postscript: III. Morning Serenade - Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg Information
- Acousticness
- 86%
- Danceability
- 6%
- Energy
- 1%
- Instrumentalness
- 94%
- Liveness
- 9%
- Loudness
- 43%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 30%
- Loudness
- -34.45 dB
Summary
"Two Dialogues with Postscript: III. Morning Serenade" by Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg was released on September 29, 2022. The duration of Two Dialogues with Postscript: III. Morning Serenade is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Two Dialogues with Postscript: III. Morning Serenade's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Valentin Silvestrov, Hélène Grimaud's "Hélène Grimaud plays Valentin Silvestrov" album is number 6 out of 7. On top of that, Germany appears to be the country where this track was created. Two Dialogues with Postscript: III. Morning Serenade is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Two Dialogues with Postscript: III. Morning Serenade BPM
We consider the tempo marking of Two Dialogues with Postscript: III. Morning Serenade by Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Two Dialogues with Postscript: III. Morning Serenade Key
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | |
 | 15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | |
 | 24 Préludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Hélène Grimaud | F Minor | 2 | 4A | 81 BPM | |
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | |
 | Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | |
 | 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | |
 | Breathing Light | Hélène Grimaud, Ashwin Srinivasan, Nitin Sawhney | B♭ Minor | 2 | 3A | 90 BPM | |
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (Arr. for String Quartet by Paul Cassidy) | Ludwig van Beethoven, Brodsky Quartet | G Major | 1 | 9B | 96 BPM | |
 | Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM |
- ISRC
- DEN962000433
- Label
- L-M Records/RCA Records
Section: 0.6993904113769531
End: 0.7034173011779785