"15 Improvisations, FP 170: No. 13 in A Minor" by Francis Poulenc, Lucille Chung was released on May 6, 2016. The duration of 15 Improvisations, FP 170: No. 13 in A Minor is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. 15 Improvisations, FP 170: No. 13 in A Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Poulenc: Works for Piano Solo and Duo". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. 15 Improvisations, FP 170: No. 13 in A Minor is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 15 Improvisations, FP 170: No. 13 in A Minor by Francis Poulenc, Lucille Chung having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
16 Waltzes, Op. 39: XV. A Major | Johannes Brahms, Alessio Bax, Lucille Chung | F♯ Minor | 0 | 11A | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Concerto pour deux pianos et orchestre en ré mineur, FP 61: II. Larghetto | Francis Poulenc, Eric Le Sage, Frank Braley, Orchestre Philharmonique de Liège, Stéphane Denève | E Major | 5 | 12B | 85 BPM | ||
Berceuse, Op. 2 | Dora Pejačević, Natasa Veljkovic | E Minor | 3 | 9A | 153 BPM | ||
Meditation, Op. 51 | Dora Pejačević, Andrej Bielow, Oliver Triendl | D♭ Major | 0 | 3B | 112 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM |
Section: 4.592946767807007
End: 4.596518039703369