"Maria durch ein Dornenwald ging" by Heinrich Kaminski, Jörg Straube, Norddeutscher Figuralchor was released on September 1, 2010. The duration of Maria durch ein Dornenwald ging is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Maria durch ein Dornenwald ging's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jörg Straube, Norddeutscher Figuralchor's "In dulci jubilo" album is number 7 out of 27. In terms of popularity, Maria durch ein Dornenwald ging is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Maria durch ein Dornenwald ging by Heinrich Kaminski, Jörg Straube, Norddeutscher Figuralchor to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
Komm, Trost der Welt | Christian Lahusen, Calmus Ensemble | A Major | 0 | 11B | 97 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Missa si Deus pro nobis, a 16 voci: III. Kyrie eleison II | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 2 | 8A | 82 BPM | ||
Nachtlied: Die Nacht ist kommen, Op. 138/3 | Max Reger, Thomas Hengelbrock | B Minor | 0 | 10A | 176 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
Drei geistliche Lieder for Voice, Violin and Clarinet: II. Wiegenlied | Heinrich Kaminski, Stephan Siegenthaler, Kolja Lessing, Anna Maria Pammer | D Minor | 1 | 7A | 114 BPM | ||
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
Phos hilaron: II. Phos hilaron | Owain Park, The Gesualdo Six | D Major | 0 | 10B | 82 BPM |
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