"Drei geistliche Lieder for Voice, Violin and Clarinet: II. Wiegenlied" by Heinrich Kaminski, Stephan Siegenthaler, Kolja Lessing, Anna Maria Pammer was released on January 1, 2013. With Drei geistliche Lieder for Voice, Violin and Clarinet: II. Wiegenlied being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Heinrich Kaminski, Various Artists's "Kaminski: Chamber Music with Clarinet" album is number 9 out of 10. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Drei geistliche Lieder for Voice, Violin and Clarinet: II. Wiegenlied is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Drei geistliche Lieder for Voice, Violin and Clarinet: II. Wiegenlied by Heinrich Kaminski, Stephan Siegenthaler, Kolja Lessing, Anna Maria Pammer to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Geistliche Chormusik: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 68 BPM | ||
Morgensang af Elverskud | Niels Gade, Concert Clemens, Carsten Seyer-Hansen | G Major | 2 | 9B | 131 BPM | ||
Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | F Major | 1 | 7B | 129 BPM | ||
Upon Your Heart | Eleanor Daley, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Major | 1 | 12B | 71 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM |
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