Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists made "Dixit Dominus, ZWV 66: Judicabit - After Psalm 109" available on November 26, 2015. With Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists's "Jan Dismas Zelenka: Psalmi Vespertini I" album is number 3 out of 29. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, Dixit Dominus, ZWV 66: Judicabit - After Psalm 109's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amphitryon, Z. 572, "The 2 Sosias": VIII. Borree | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 82 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
6 Trio Sonatas, ZWV 181, No. 1 in F Major: I. Adagio ma non troppo | Jan Dismas Zelenka, Ensemble Berlin Prag, Dominik Wollenweber, Vilem Veverka, Mor Biron, Barbara Maria Willi, Ulrich Wolff | A♭ Minor | 1 | 1A | 93 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): O dolce mio tesoro | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A♭ Minor | 1 | 1A | 70 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM |
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