"Missa Paschalis, ZWV7: Agnus Dei" by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity was released on March 21, 2014. The duration of Missa Paschalis, ZWV7: Agnus Dei is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Missa Paschalis, ZWV7: Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Gabriela Eibenová's "Jan Dismas Zelenka: Missa Paschalis, ZWV 7 & Litaniae Omnium Sanctorum, ZWV 153" album is number 18 out of 27. On top of that, Czechia appears to be the country where this track was created. Missa Paschalis, ZWV7: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Paschalis, ZWV7: Agnus Dei by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 2, Chor. "Gott, Du wirst meine Seele" | Carl Philipp Emanuel Bach, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 74 BPM | ||
Médée, H. 491, Prologue: Trio et chœur. "Paraissez, charmante victoire" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Fabien Hyon, Adrien Fournaison | B♭ Major | 2 | 6B | 179 BPM | ||
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera | Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Vespeare cum ordinariis psalmis: Dominus a dextris tuis | Jan Josef Ignac Brentner, Inégal Ensemble, Adam Viktora, Prague Baroque Solists | A♭ Minor | 1 | 1A | 108 BPM | ||
11. Aria: So stehet ein Berg Gottes | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | C Major | 2 | 8B | 125 BPM | ||
F7.15: Se l'aura Spira Tutta Vezzosa | Girolamo Frescobaldi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Salve Jesu, rex sanctorum" | Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort, Jeffrey Thompson | C Minor | 2 | 5A | 90 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Messe h-Moll, BWV 232: VI. Gloria "Laudamus te" | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Julia Doyle, Rudolf Lutz | E♭ Minor | 2 | 2A | 124 BPM |
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