Girolamo Frescobaldi, Musica Sequenza, BURAK, Diana Ramirez's 'F7.15: Se l'aura Spira Tutta Vezzosa' came out on October 8, 2021. The duration of F7.15: Se l'aura Spira Tutta Vezzosa is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. F7.15: Se l'aura Spira Tutta Vezzosa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Musica Sequenza, BURAK, Diana Ramirez's "Inferno" album is number 12 out of 14. On top of that, Germany appears to be the country where this track was created. F7.15: Se l'aura Spira Tutta Vezzosa is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of F7.15: Se l'aura Spira Tutta Vezzosa by Girolamo Frescobaldi, Musica Sequenza, BURAK, Diana Ramirez to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beatus vir qui timet in F Major: VI. Gloria | Leonardo Leo, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Major | 1 | 12B | 93 BPM | ||
Les Indes galantes: L'introduction | Jean-Philippe Rameau, Musica Sequenza, Burak Ozdemir | G Major | 0 | 9B | 142 BPM | ||
Messa della Domenica: Recercar dopo il Credo | Girolamo Frescobaldi, Nova Schola Gregoriana, Sergio Vartolo, Alberto Turco | G Minor | 0 | 6A | 110 BPM | ||
Atys, LWV 53, Act I: Si l'hymen unissait (Atys, Sangaride) | Jean-Baptiste Lully, Reinoud Van Mechelen, Marie Lys, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Cento Partite Sopra Passacagli | Girolamo Frescobaldi, Marco Beasley, Guido Morini, Enrico Gatti, Rossella Croce, Svetlana Fomina, Gaetano Nasillo, Stefano Rocco, Franco Pavan | E Major | 0 | 12B | 78 BPM | ||
Prima die Lectio prima: V. Plorans ploravit | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 0 | 2B | 103 BPM | ||
Markus Passion, BWV 247: 24. Mein Tröster ist nicht mehr bei mir | Johann Sebastian Bach, BURAK, Musica Sequenza, Diana Ramirez | E♭ Minor | 1 | 2A | 68 BPM | ||
Messa della Madonna: Kyrye della Madonna IV | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
SV332: Si Dolce èl Tormento | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Missa Charitatis, ZWV 10: Kyrie | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | D♭ Major | 2 | 3B | 99 BPM |
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