"Beatus vir qui timet in F Major: VI. Gloria" by Leonardo Leo, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset was released on February 28, 2020. With Beatus vir qui timet in F Major: VI. Gloria being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #24. Furthermore, we believe that the track originated from France. In terms of popularity, Beatus vir qui timet in F Major: VI. Gloria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beatus vir qui timet in F Major: VI. Gloria by Leonardo Leo, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, LWV 53, Act IV: O vous qui prenez part (Le Dieu du fleuve Sangar, Chœur) | Jean-Baptiste Lully, Olivier Cesarini, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur | B♭ Major | 2 | 6B | 131 BPM | ||
Le Pouvoir de l'Amour, Troisième entrée Scène 4: Entrée pour les sauvages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Il Giardino d'Amore: Più non m'alletta e piace (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá | F♯ Minor | 1 | 11A | 98 BPM | ||
Atys, LWV 53, Act IV: Que l'on chante (Le Dieu du fleuve Sangar, Chœur) | Jean-Baptiste Lully, Olivier Cesarini, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur | B♭ Major | 5 | 6B | 85 BPM | ||
Zaïs, Prologue, Scène 2: La naissante Aurore (Petit chœur des Sylphides, Chœur des Génies, Oromazès) | Jean-Philippe Rameau, Les Talens Lyriques, Chœur De Chambre De Namur, Aimery Lefèvre, Christophe Rousset | F Major | 4 | 7B | 113 BPM | ||
Das Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus) | Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter Marschik | C Minor | 0 | 5A | 83 BPM | ||
Zaïs, Acte III, Scène 4: Aimons, jouissons de la vie (Chœur des Sylphes et Sylphides, une Sylphides) | Jean-Philippe Rameau, Les Talens Lyriques, Chœur De Chambre De Namur, Amel Brahim-Djelloul, Christophe Rousset | F Minor | 1 | 4A | 70 BPM | ||
Armide, LWV 71, Prologue: Ouverture (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | B♭ Major | 2 | 6B | 120 BPM | ||
Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Marc'Antonio e Cleopatra: Aria "Morte col fiero aspetto" | Johann Adolf Hasse, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | F♯ Minor | 2 | 11A | 125 BPM |
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