Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá's 'Il Giardino d'Amore: Più non m'alletta e piace (Aria)' came out on October 6, 2023. Since Il Giardino d'Amore: Più non m'alletta e piace (Aria) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 27 in Alessandro Scarlatti: Baroque Influencer by Alessandro Scarlatti, Dorothee Oberlinger, Bruno de Sá, Ensemble 1700. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Il Giardino d'Amore: Più non m'alletta e piace (Aria) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Giardino d'Amore: Più non m'alletta e piace (Aria) by Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ingemisco | Giovanni Legrenzi, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | G Major | 0 | 9B | 105 BPM | ||
King Arthur, Z. 628, Act II: No. 10, Introduction | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | D♭ Minor | 1 | 12A | 67 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 4 | 12B | 101 BPM | ||
Moratelli: La faretra smarrita: "Lungi dai nostri cor" (Amore) | Sebastiano Moratelli, Jakub Józef Orliński, Teodoro Baù | F Minor | 1 | 4A | 133 BPM | ||
Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Allegro (Arr. for Recorder, Strings & Continuo by Dorothee Oberlinger) | Arcangelo Corelli, Dorothee Oberlinger | G Minor | 3 | 6A | 78 BPM | ||
Bach, JC: Artaserse, Act 2: "Per quel paterno amplesso" (Arbace) | Johann Christian Bach, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 119 BPM | ||
Rondeau. Le Champêtre. Les Ecos | Jacques Hotteterre, Dorothee Oberlinger | D♭ Major | 1 | 3B | 95 BPM | ||
Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Gib dich zufrieden, BWV 510 | Johann Sebastian Bach, Mahan Esfahani, Carolyn Sampson | F♯ Major | 0 | 2B | 151 BPM | ||
Le Carnaval du Parnasse, Act II Scene 5: 1er & 2ème Airs | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM |
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