"Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins" by Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis was released on February 9, 2024. With Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 94 in Elisabeth Jacquet de la Guerre: Céphale et Procris by Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur. Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins by Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gordion Knot Unty'd, Z. 597: Chaconne | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: IV. Allegro | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Violin Sonata No. 1 in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 2 | 12A | 118 BPM | ||
Harpsichord Suite No. 3 in A Minor: II. Allemande | Élisabeth Jacquet de La Guerre, Daniela Dolci | A Major | 2 | 11B | 176 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VIII. Sarabande | Dietrich Becker, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner | D♭ Major | 0 | 3B | 108 BPM | ||
Weinen, Klagen, Sorgen, Zagen in G Minor, BWV 12: VI. Aria "Sei getreu, alle Pein" - VII. Chorale "Was Gott tut, das ist wohlgetan" | Johann Sebastian Bach, Vox Luminis, Lionel Meunier, Reinoud Van Mechelen | D♭ Major | 0 | 3B | 139 BPM | ||
Sonata No.6 in D Major, Op. 50: I. Largo | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Sonata a tre in sol minore: V. Allegro | Giovanni Maria Bononcini, Musica Antiqua Latina | F♯ Minor | 1 | 11A | 131 BPM | ||
29 Partite sopra l'aria della Folia (Arr. for Recorder, Cello, Harpsichord & Guitar by D. Oberlinger) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 2 | 12A | 129 BPM |
Section: 0.93701171875
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