"Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VIII. Sarabande" by Dietrich Becker, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner was released on February 3, 2017. With Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VIII. Sarabande being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 30 in Dietrich Buxtehude: Sonates en trio – Manuscrits d’Uppsala by La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner, Emily Audouin. In terms of popularity, Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VIII. Sarabande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VIII. Sarabande by Dietrich Becker, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pallavicino: Demetrio, Sinfonia: II. Affettuoso | Carlo Pallavicino, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Recorder Concerto No. 9 in A Minor: IV. Largo e piano | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Violin Sonata No. 1 in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 2 | 12A | 118 BPM | ||
Sonata and Suite in A Major: Allmandt - Courant - Sarabanda - Giguae | Dietrich Becker, Parnassi Musici | A Major | 1 | 11B | 176 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
"Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
Chamber Sonata No. 2 in C Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | B Minor | 0 | 10A | 116 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM |
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