"2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509" by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto was released on April 26, 2024. With 2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509 being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 21 out of 42. On top of that, Sweden appears to be the country where this track was created. 2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509 by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: VIII. Sicut erat in principio | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto "Israel, hoffe auf den Herren" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM | ||
Legrenzi / Arr. Pluhar: Con cent’occhi | Giovanni Legrenzi, Christina Pluhar, Bruno de Sá | B Minor | 1 | 10A | 80 BPM | ||
Miserere, ZWV 57: III. Gloria Patri I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán | E♭ Minor | 2 | 2A | 106 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: Nach dir, Herr, verlanget mich, BWV 150: Coro | Johann Sebastian Bach, Philippe Pierlot, Stephan MacLeod, Ricercar Consort, Katharine Fuge, Carlos Mena, Jan Kobow | G Minor | 0 | 6A | 66 BPM | ||
Atys, LWV 53, Act I: Allons, allons, accourez tous (Sangaride, Doris) | Jean-Baptiste Lully, Marie Lys, Gwendoline Blondeel, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Nisi Dominus, RV 608: III. Surgite | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM |
Section: 0.4840962886810303
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