"Miserere, ZWV 57: III. Gloria Patri I" by Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán was released on May 3, 2019. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Sacred Music for Dresden Cathedral". In this album, this song's track order is #3. In terms of popularity, Miserere, ZWV 57: III. Gloria Patri I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Miserere, ZWV 57: III. Gloria Patri I by Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 30. Aria, "Es ist vollbracht" (Seele) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, William Shelton | A♭ Minor | 2 | 1A | 96 BPM | ||
Partenio, Ouverture (1738): I. (Without indication) | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Mass in D Minor: Kyrie: Kyrie I | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D Major | 2 | 10B | 105 BPM | ||
Concerto a 8 concertanti in G Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Allegro (1) | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | D♭ Major | 3 | 3B | 113 BPM | ||
Sylvie: Air pour les cyclopes | Pierre-Montan Berton, Jean-Claude Trial, Reinoud Van Mechelen, A Nocte Temporis | F♯ Minor | 1 | 11A | 104 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM |
Section: 0.5914688110351562
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