Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max's 'Mass in D Minor: Kyrie: Kyrie I' came out on March 6, 2012. The duration of Mass in D Minor: Kyrie: Kyrie I is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Mass in D Minor: Kyrie: Kyrie I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Adolf Hasse, Hermann Max's "Hasse: Mass in D minor - Miserere in C minor" album is number 1 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Mass in D Minor: Kyrie: Kyrie I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in D Minor: Kyrie: Kyrie I by Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christus, Der Uns Selig Macht, Johannes Passion Bwv 245 | Nicol Matt, Johann Sebastian Bach, Robert Sagasser, Jörg Halobek, Soloists Of The Freiburger Barockorchester, Jens Wollenschläger, Nordic Chamber Choir, Ute Petersilge, Heike Hümmer, Martina Rotbauer | B♭ Minor | 1 | 3A | 79 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Jesu, meine Freude, BuxWV 60: VII. Weicht, ihr Trauergeister | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 82 BPM | ||
Aria for Five Voices: Komm, Jesu, komm | Johann Schelle, Dorothee Mields, Kirsten Witmer, Damien Guillon, Thomas Hobbs, Peter Kooij, Philippe Herreweghe, Collegium Vocale Gent | A Major | 1 | 11B | 83 BPM | ||
Fontana d'Israel: No. 3. Die mit Tranen saen | Johann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | C Major | 0 | 8B | 125 BPM | ||
Daran ist erschienen die Liebe Gottes, TWV 1:165: Chorus: Du heiliges Licht, edler Hort | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | F♯ Major | 1 | 2B | 113 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner" | Johann Sebastian Bach, Christina Landshamer, Marie-Claude Chappuis, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | B Minor | 2 | 10A | 111 BPM | ||
Missa Paschalis, ZWV 7: Sanctus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
O Haupt voll blut und wunden: I. Chor "O Haupt voll blut und wunden" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Minor | 1 | 5A | 87 BPM |
Section: 0.8852930068969727
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