"Aria for Five Voices: Komm, Jesu, komm" by Johann Schelle, Dorothee Mields, Kirsten Witmer, Damien Guillon, Thomas Hobbs, Peter Kooij, Philippe Herreweghe, Collegium Vocale Gent was released on February 17, 2014. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 26 out of 26 in Bach: Ich elender Mensch & Leipzig Cantatas by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe. Aria for Five Voices: Komm, Jesu, komm is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aria for Five Voices: Komm, Jesu, komm by Johann Schelle, Dorothee Mields, Kirsten Witmer, Damien Guillon, Thomas Hobbs, Peter Kooij, Philippe Herreweghe, Collegium Vocale Gent is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Brockes-Passion, TWV 5:1, Teil I: No. 2, Chor "Mich vom Stricke meiner Sünden" (Chor gläubiger Seelen) | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E Minor | 3 | 9A | 139 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
Volin pure lontano dal sen | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | A♭ Minor | 1 | 1A | 104 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Credo' | Chor, Solisten & Orchester von St. Augustin, Manfred Equiluz, Ingrid Hofer, Michael Gailit, Brigitta Karwautz, Wolfgang Bankl | C Major | 1 | 8B | 94 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata I ad pedes: III. Salve mundi salutare | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra, Kristen Witmer, Lucía Caihuela, Jan Kullmann, William Knight, Matthew Baker, Anonymous | A Major | 3 | 11B | 78 BPM | ||
Buxtehude: Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Christoph Prégardien, Peter Kooij, Amsterdam Baroque Orchestra | D♭ Minor | 1 | 12A | 97 BPM | ||
Harmonische Freude Musicalischer Freunde: An Jammer und Beschwerlichkeit, da fehlt es hier zu keiner Zeit | Philipp Heinrich Erlebach, Le Banquet Céleste, Damien Guillon | B Minor | 1 | 10A | 67 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: V. Pt. 4 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM |
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