- BPM
- 176
- Key
- D Major
- Camelot
- 10B
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: V. Pt. 4 - Johann Jakob Froberger, Gustav Auzinger Information
- Acousticness
- 87%
- Danceability
- 18%
- Energy
- 13%
- Instrumentalness
- 93%
- Liveness
- 35%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 32%
- Popularity
- 0%
- Loudness
- -15.724 dB
Summary
Johann Jakob Froberger, Gustav Auzinger's 'Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: V. Pt. 4' had a release date set for April 26, 2024. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Auzinger's "Hart 1627" album is number 17 out of 34. On top of that, Germany appears to be the country where this track was created. The popularity of Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: V. Pt. 4 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: V. Pt. 4 BPM
We consider the tempo marking of Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: V. Pt. 4 by Johann Jakob Froberger, Gustav Auzinger to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: V. Pt. 4 Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: II. Vivace | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | D♭ Minor | 2 | 12A | 117 BPM | |
 | Trio Sonata in A Minor, BuxWV 254: I. Adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | |
 | Violin Sonata in B-Flat Major, Op. 5 No. 2 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | |
 | Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Largo | Cologne Chamber Orchestra | E Major | 0 | 12B | 95 BPM | |
 | Canzona in C Major, FbWV 305, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | |
 | Purcell: The Fairy Queen, Z. 629: Overture | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | |
 | Status Quo | Jacob Yoffee, Oakwood Quartet | A Minor | 1 | 8A | 104 BPM | |
 | Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | |
 | Sonata in G Minor, Kk. 35 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | G Minor | 1 | 6A | 115 BPM | |
 | Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM |
- ISRC
- DEQG42468024
- Label
- L-M Records/RCA Records