Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam made "Nisi Dominus, RV 608: III. Surgite" available on March 29, 2024. With Nisi Dominus, RV 608: III. Surgite being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Pergolesi: Stabat Mater - Vivaldi: Nisi Dominus". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Nisi Dominus, RV 608: III. Surgite is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Nisi Dominus, RV 608: III. Surgite by Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Qual mormorio giocondo: Recitative: Cosi dell'alma mia | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae | Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 136 BPM | ||
Stabat Mater, R.621: 7. "Eja Mater" (Largo) | Antonio Vivaldi, Jochen Kowalski, Concertgebouw Chamber Orchestra, John Constable, Vittorio Negri | G Minor | 2 | 6A | 95 BPM | ||
Vivaldi: Concerto for Violin and Cello in B-Flat Major, RV 547: II. Andante | Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro, Federico Guglielmo | B Major | 0 | 1B | 133 BPM | ||
Tilge, Hochster, meine Sunden (Soprano, Alto) | Johann Sebastian Bach, Monika Frimmer, Kai Wessel, Munich Neue Hofkapelle, Christian Brembeck | F Minor | 2 | 4A | 151 BPM | ||
Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Le Carnaval du Parnasse, Act II Scene 5: 1er & 2ème Airs | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: “Per pietà, turba feroce” | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |
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