"Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae" by Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. With Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 28 out of 50. Based on our statistics, Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae by Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Illustra faciem tuam" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
La passione di nostro signore Gesù Cristo, Pt. 1: Part I: Aria: Potea quel pianto (Alto) | Niccolò Jommelli, Anke Herrmann, Berliner Barock Akademie, Alessandro De Marchi | G Minor | 1 | 6A | 72 BPM | ||
Stabat Mater: No. 17, Fac me cruce custodiri. Largo (Alto Solo) | Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | B Minor | 0 | 10A | 85 BPM | ||
À Paris sur le petit pont | Pierre Guédron, Véronique Bourin, Doulce Mémoire, Denis Raisin-Dadre | E♭ Major | 1 | 5B | 78 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II | Johann Sebastian Bach, Il Gardellino | A♭ Minor | 2 | 1A | 73 BPM | ||
Bembo: Habbi pietà di me | Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen | E Minor | 1 | 9A | 70 BPM | ||
Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": II. De quelle douleur profonde | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 67 BPM | ||
Maddalena ai piedi di Cristo: No. 17 Recitativo Marta "Omai spezza quel nodo" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | B Minor | 1 | 10A | 102 BPM |
Section: 0.6835744380950928
End: 0.6882181167602539