"Bembo: Habbi pietà di me" by Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen was released on May 3, 2024. With this song being about 5 minutes long, at 4:48, "Bembo: Habbi pietà di me" by Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wonder Women by Christina Pluhar, L'Arpeggiata. The song's track number on the album is #9 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Bembo: Habbi pietà di me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bembo: Habbi pietà di me by Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Bembo: Habbi pietà di me being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Traetta: L'Olimpiade, Act 2: "Gemo in un punto e fremo" (Licida) | Tommaso Traetta, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM | ||
Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Samson, HWV 57: Samson, HWV 57, Sinfonia: I. Andante | George Frideric Handel, Peter Whelan, Irish Baroque Orchestra | F♯ Major | 2 | 2B | 176 BPM | ||
Ingemisco | Giovanni Legrenzi, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | G Major | 0 | 9B | 105 BPM | ||
Salve Regina: No. 4., Eja ergo advocata nostra | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni" (Amore) | Christoph Willibald Gluck, Stefan Plewniak, Fatma Said, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Il Giardino d'Amore: Più non m'alletta e piace (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá | F♯ Minor | 1 | 11A | 98 BPM | ||
Rossi / Arr. Pluhar: "Se dolente e flebil cetra" | Luigi Rossi, Christina Pluhar, Véronique Gens | E Major | 0 | 12B | 108 BPM | ||
La Dama d'Aragó | Christina Pluhar, Quito Gato, Traditional | G Minor | 1 | 6A | 97 BPM | ||
Falconieri / Arr. Pluhar: O vezzosetta (Aria sopra la Ciaccona) - L’Eroica | Andrea Falconieri, Christina Pluhar, Joao Fernandes, Zachary Wilder | C Major | 4 | 8B | 127 BPM |
Section: 0.5847127437591553
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