"La passione di nostro signore Gesù Cristo, Pt. 1: Part I: Aria: Potea quel pianto (Alto)" by Niccolò Jommelli, Anke Herrmann, Berliner Barock Akademie, Alessandro De Marchi was released on July 29, 2016. Since La passione di nostro signore Gesù Cristo, Pt. 1: Part I: Aria: Potea quel pianto (Alto) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Niccolò Jommelli, Berliner Barock Akademie, Alessandro De Marchi's "Jommelli: La Passione di nostro signore Gesù Cristo" album is number 14 out of 31. On top of that, United States appears to be the country where this track was created. La passione di nostro signore Gesù Cristo, Pt. 1: Part I: Aria: Potea quel pianto (Alto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La passione di nostro signore Gesù Cristo, Pt. 1: Part I: Aria: Potea quel pianto (Alto) by Niccolò Jommelli, Anke Herrmann, Berliner Barock Akademie, Alessandro De Marchi to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie | B♭ Minor | 1 | 3A | 81 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Gott Hilf Mir, BuxWV 34: Gott, hilf mir | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Missa Dolorosa: I. Kyrie | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
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