- BPM
- 81
- Key
- B♭ Minor
- Camelot
- 3A
Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" - Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie Information
- Acousticness
- 96%
- Danceability
- 25%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 31%
- Popularity
- 17%
- Loudness
- -20.116 dB
Summary
Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie's 'Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis"' came out on April 27, 1989. The duration of Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 30 in Charpentier: Te Deum; Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" BPM
The tempo marking of Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" by Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | The Fairy Queen, Z. 629, Act I: Scene of the Drunken Poet "Fill up the bowl" - 2023 Remaster | Henry Purcell, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 170 BPM | |
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 | Salve Regina in C minor (1736): 2. Ad te clamamus | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E Minor | 1 | 9A | 85 BPM | |
 | L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno | Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des Nations | A Minor | 1 | 8A | 108 BPM | |
 | Messe in B Minor, BWV 232: No. 4, Gloria in excelsis | Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski, Blandine Staskiewicz, Joanne Lunn, Julia Lezhneva, Lucy Crowe, Nathalie Stutzmann, Terry Wey, Markus Brutscher, Colin Balzer, Christian Immler, Luca Tittoto | D♭ Major | 2 | 3B | 121 BPM | |
 | Magnificat in D Major, BWV 243: Deposuit potentes (Tenor) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F♯ Minor | 4 | 11A | 106 BPM | |
 | Christ lag in Todes Banden, BWV 4: Versus I: Christ lag in Todesbanden (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 1 | 11B | 79 BPM | |
 | Salve Regina pour soprano, contre-ténor et basse continue: II. Ad te clamamus (Moderato) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act II: Ritornello - Song and Chorus. "Thanks to These Lonesome Vales" (Belinda, Chorus) | Henry Purcell, William Christie, Les Arts Florissants, Sophie Marin-Degor | D♭ Minor | 1 | 12A | 117 BPM |
- ISRC
- FRZ148813080
- Label
- L-M Records/RCA Records
Section: 0.5705831050872803
End: 0.5773012638092041