L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno
Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des Nations
Claudio Monteverdi: L'Orfeo
3:46 June 8, 2015
BPM
108
Key
A Minor
Camelot
8A

Embed

Share Link

L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno - Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des Nations Information

Acousticness
99%
Danceability
31%
Energy
8%
Instrumentalness
0%
Liveness
12%
Loudness
59%
Speechiness
4%
Valence
16%
Popularity
Loudness
-24.496 dB

Summary

"L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno" by Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des Nations was released on June 8, 2015. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 32 in Claudio Monteverdi: L'Orfeo by Claudio Monteverdi, Jordi Savall. In terms of popularity, L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno BPM

The tempo marking of L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno by Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des Nations is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.

L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Rameau: Les Indes Galantes: Rameau: Les Indes Galantes: "Viens, Hymen" (Phani)Jean-Philippe Rameau, Alexis Kossenko, Les AmbassadeursF♯ Major02B86 BPM
L'Orfeo, Ato primo: V. Ritornello - Alcun non sia by Claudio Monteverdi, Jordi Savall, Gerd Türk, Francesc Garrigosa, Carlos Mena, Iván García, Marília Vargas, La Capella Reial De Catalunya, Le Concert Des NationsL'Orfeo, Ato primo: V. Ritornello - Alcun non siaClaudio Monteverdi, Jordi Savall, Gerd Türk, Francesc Garrigosa, Carlos Mena, Iván García, Marília Vargas, La Capella Reial De Catalunya, Le Concert Des NationsG Major19B83 BPM
Vespro della Beata Vergine, SV 206: XIIIc. Magnificat Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem"Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale GentF Major27B76 BPM
Ach Gott, wie manches Herzeleid (Chorus) by Johann Sebastian Bach, Dorothee Mields, Pascal Bertin, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki SuzukiAch Gott, wie manches Herzeleid (Chorus)Johann Sebastian Bach, Dorothee Mields, Pascal Bertin, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki SuzukiF Minor14A175 BPM
La Folia: Yo Soy la Locura by La Capella Reial De Catalunya, Hespèrion XXI, Montserrat Figueras, Andrew Lawrence-King, Pedro EstevanLa Folia: Yo Soy la LocuraLa Capella Reial De Catalunya, Hespèrion XXI, Montserrat Figueras, Andrew Lawrence-King, Pedro EstevanA Minor18A131 BPM
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerEin deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine WohnungenJohannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerE♭ Major15B124 BPM
Lamento della ninfa: II. Amor by Claudio Monteverdi, Ann Wallström, Stefan Lindvall, David Gammelgård, Anders Ericson, Mattias Frostenson, Fredrik Malmberg, Harmony of VoicesLamento della ninfa: II. AmorClaudio Monteverdi, Ann Wallström, Stefan Lindvall, David Gammelgård, Anders Ericson, Mattias Frostenson, Fredrik Malmberg, Harmony of VoicesA♭ Minor11A68 BPM
Vespro della Beata Vergine, SV 206: II. Psalm Vespro della Beata Vergine, SV 206: II. Psalm "Dixit Dominus"Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale GentD Minor07A65 BPM
Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 "Grande": Allegro ModeratoLuigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des NationsF Major17B147 BPM
Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes by Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen CleoburyVivaldi: Magnificat in G Minor, RV 610: VI. EsurientesAntonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen CleoburyA Major211B100 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5939652919769287

End: 0.6005814075469971