"When Saul was king: I. When Saul was king over us" by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music was released on May 24, 2024. The duration of When Saul was king: I. When Saul was king over us is about 3 minutes long, at 3:03. Based on our data, "When Saul was king: I. When Saul was king over us" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music's "How Are The Mighty Fallen: Choral Music by Giovanni Bononcini" album is number 23 out of 27. On top of that, United Kingdom appears to be the country where this track was created. The popularity of When Saul was king: I. When Saul was king over us is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When Saul was king: I. When Saul was king over us by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecco, Dorinda il giorno: Lungi da te, ben mio (Aria) [Largo - Andante] | Giovanni Bononcini, Flavio Ferri-Benedetti, Ensemble Il Profondo | D♭ Minor | 1 | 12A | 73 BPM | ||
If ye love me (Pentecost) | Thomas Tallis, George Parsons, Owen Rees | F Major | 1 | 7B | 79 BPM | ||
Deh più a me non v'ascondete | Giovanni Bononcini, Dame Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 61 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
Veni sancte spiritus (Pentecost) | Giovanni Pierluigi da Palestrina, George Parsons, Owen Rees | F Minor | 1 | 4A | 91 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
21. Coro: Finale Hier liegen wir gerührte Sünder | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | F Major | 2 | 7B | 72 BPM | ||
Dixit Dominus: Dominus a dextris tuis | Alessandro Scarlatti, Matthew Brook, Owen Rees | A Major | 3 | 11B | 113 BPM | ||
Misatango, Misa a Buenos Aires: IX. Et resurexit | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 203 BPM |
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