MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra made "Misatango, Misa a Buenos Aires: IX. Et resurexit" available on January 6, 2017. With Misatango, Misa a Buenos Aires: IX. Et resurexit being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Palmeri: Misatango, Misa a Buenos Aires". In this album, this song's track order is #9. The popularity of Misatango, Misa a Buenos Aires: IX. Et resurexit is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Misatango, Misa a Buenos Aires: IX. Et resurexit by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra having a BPM of 203 with a half-time of 102 BPM and a double-time of 406 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Benedictus | MartÍn Palmeri | G Major | 3 | 9B | 83 BPM | ||
Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
Misa a Buenos Aires "Misatango": Kyrie | MartÍn Palmeri, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Minor | 1 | 5A | 109 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Le dernier jour d'un condamné / Acte II: Monsieur le procureur général, l'exécution doit être faite... | David Alagna, Indra Thomas, Roberto Alagna, Jean-Philippe Lafont, Richard Rittelmann, Chœur régional Vittoria d'Ile de France, Daniel Bargier, Orchestre national d'île-de-France, Michel Plasson | B Minor | 9 | 10A | 80 BPM | ||
Magnificat in G minor, R.610/611: 2. Allegro: Et exsultavit | Antonio Vivaldi, Margaret Marshall, Linda Finnie, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers | B♭ Major | 2 | 6B | 107 BPM | ||
Laudate pueri, HWV 237: IV. Excelsus super omnes | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Ah! Se da solo a sola | Gioachino Rossini, Ricardo Seguel, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Minor | 3 | 10A | 141 BPM | ||
Credo, R.592: 2. Adagio: Et incarnatus est | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers | A Major | 1 | 11B | 80 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: XI. Chor "Stimmt an die Saiten" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Minor | 1 | 7A | 77 BPM |
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