Misa a Buenos Aires "Misatango": Kyrie - MartÍn Palmeri, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung Information

Acousticness: 98%
Danceability: 30%
Energy: 12%
Instrumentalness: 24%
Liveness: 22%
Loudness: 66%
Speechiness: 3%
Valence: 7%
Popularity: 6%
Loudness: -20.343 dB

Summary

"Misa a Buenos Aires "Misatango": Kyrie" by MartÍn Palmeri, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung had its release date on January 20, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in MartÍn Palmeri, Sächsisches Vokalensemble, Cuarteto Rotterdam, Dresdner Kapellsolisten, Matthias Jung's "Martín Palmeri: Misa a Buenos Aires "Misatango" & Tango Gloria" album is number 1 out of 18. In terms of popularity, Misa a Buenos Aires "Misatango": Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Misa a Buenos Aires "Misatango": Kyrie BPM

We consider the tempo marking of Misa a Buenos Aires "Misatango": Kyrie by MartÍn Palmeri, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Misa a Buenos Aires "Misatango": Kyrie Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Stabat Mater: 10. Fac ut portem	Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson	G Minor	0	6A	66 BPM
Selig sind die Toten, SWV 391	Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs	F Major	2	7B	170 BPM
Miserere in C minor: Misere I	Thomas Hengelbrock	B Minor	2	10A	94 BPM
3 Psalms, Op. 78: II. Psalm 43 "Richte mich, Gott"	Felix Mendelssohn, RIAS Kammerchor, Marcus Creed	A Minor	1	8A	91 BPM
Bach, JS: St John Passion, BWV 245, Part 1: No. 1 "Herr, unser Herrscher" (Chorus)	Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre	B Minor	1	10A	123 BPM
Konzert für Violoncello und Orchester in D Major, Hob. VIIb:2: II. Adagio	Joseph Haydn, Dresdner Kapellsolisten, Helmut Branny, Norbert Anger	A Major	0	11B	64 BPM
Tango Gloria: Domine fili unigenite	MartÍn Palmeri, Heidi Maria Taubert, Annekathrin Laabs, Clemens Heidrich, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung	B♭ Major	2	6B	98 BPM
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener"	Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe	G Minor	1	6A	78 BPM
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères	Francis Poulenc, Netherlands Chamber Choir	G Major	2	9B	169 BPM
Herr, wenn ich nur dich habe, SWV 280	Heinrich Schütz, Vox Luminis, Lionel Meunier	A Minor	1	8A	85 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records