"3 Psalms, Op. 78: II. Psalm 43 "Richte mich, Gott"" by Felix Mendelssohn, RIAS Kammerchor, Marcus Creed was released on December 31, 1999. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, RIAS Kammerchor, Marcus Creed, Stéphanie Petitlaurent, Ulrike Bartsch, Volker Arndt, Rudolf Preckwinkel, Klaus Thiem's "Mendelssohn: Motets & Psalms" album is number 3 out of 10. On top of that, France appears to be the country where this track was created. In terms of popularity, 3 Psalms, Op. 78: II. Psalm 43 "Richte mich, Gott" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Psalms, Op. 78: II. Psalm 43 "Richte mich, Gott" by Felix Mendelssohn, RIAS Kammerchor, Marcus Creed to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Mass in D Major, Op. 86 / Kyrie: Ib. Christe | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Minor | 1 | 6A | 78 BPM | ||
Requiem: I heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem | Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher | D Major | 2 | 10B | 177 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Hymnen, Op. 140: Nr. 3 Eripe me | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 80 BPM | ||
Regina coeli | Antonio Lotti, Liverpool Metropolitan Cathedral Choir, Mervyn Cousins | G Major | 1 | 9B | 77 BPM |
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