Antonio Vivaldi, Margaret Marshall, Linda Finnie, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers's ' "Magnificat in G minor, R.610/611: 2. Allegro: Et exsultavit" was released on its scheduled release date, May 25, 2024. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Magnificat in G minor, R.610/611: 2. Allegro: Et exsultavit's duration is considered a little bit shorter than the average duration of a typical track. The song is number 51 out of 96 in English Chamber Orchestra plays Vivaldi, Handel & Telemann by English Chamber Orchestra, Georg Philipp Telemann, Antonio Vivaldi, George Frideric Handel. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Magnificat in G minor, R.610/611: 2. Allegro: Et exsultavit is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Magnificat in G minor, R.610/611: 2. Allegro: Et exsultavit by Antonio Vivaldi, Margaret Marshall, Linda Finnie, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Silete venti, HWV 242: IV. Date serta, date flores | George Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond Leppard | F♯ Major | 3 | 2B | 83 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM | ||
Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Illustra faciem tuam" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act II, Chorus "In our deep vaulted cell" | Henry Purcell, Dominique Visse, Susan Bickley, Rosemary Joshua, Lynne Dawson, Stephen Wallace, René Jacobs, Orchestra of the Age of Enlightenment, John Bowen, Gerald Finley, Maria Cristina Kiehr, Robin Blaze | E Major | 1 | 12B | 170 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
Dominus regnavit: Duet: Parata sedes | Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins | D♭ Major | 0 | 3B | 104 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
In Windsor Forest: No. 2, Drinking Song | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM |