"Dominus regnavit: Duet: Parata sedes" by Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins was released on October 30, 2015. The duration of Dominus regnavit: Duet: Parata sedes is about 3 minutes long, at 3:06. Based on our data, "Dominus regnavit: Duet: Parata sedes" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 24 out of 27 in Best of French Baroque by Tafelmusik Baroque Orchestra, Jeanne Lamon, Ivars Taurins. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Dominus regnavit: Duet: Parata sedes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dominus regnavit: Duet: Parata sedes by Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 42 in D Major, Hob. I:42: IV. Finale. Scherzando e presto | Joseph Haydn, Bruno Weil, Tafelmusik Baroque Orchestra | D♭ Minor | 1 | 12A | 77 BPM | ||
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
Tito Manlio, RV 778, Act I: Combatta un gentil cor | Antonio Vivaldi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 2 | 1B | 108 BPM | ||
Gloria in D Major, RV 589: V. Propter magnam | Antonio Vivaldi, Tafelmusik Chamber Choir, Tafelmusik Baroque Orchestra, Ivars Taurins | F♯ Major | 0 | 2B | 132 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | B Minor | 1 | 10A | 166 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act I, Belinda "Shake the cloud" | Henry Purcell, Orchestra of the Age of Enlightenment, Rosemary Joshua, René Jacobs | B Minor | 1 | 10A | 125 BPM | ||
Euridice, Scena I: Per quel vago boschetto | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Luca Dordolo, Sylva Pozzer, Alessandro Carmignani, Mirko Guadagnini, Alessandro Gargiulo | G Major | 0 | 9B | 101 BPM | ||
Coffee Cantata, BWV 211: Aria: Heute noch | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | F♯ Major | 1 | 2B | 120 BPM | ||
Mondonville : In exitu Israel | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 82 BPM |
Section: 0.6723182201385498
End: 0.676337718963623