George Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond Leppard's ' "Silete venti, HWV 242: IV. Date serta, date flores" was released on its scheduled release date, 1970. This song appears to be safe for all ages as it is not explicit. The song is number 4 out of 11 in Elly Ameling sings Handel (Elly Ameling – The Philips Recitals, Vol. 2) by George Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond Leppard. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Silete venti, HWV 242: IV. Date serta, date flores is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Silete venti, HWV 242: IV. Date serta, date flores by George Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond Leppard is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'art de toucher le clavecin: No. 8, Prelude in E Minor | François Couperin, Andrew Appel | C Major | 5 | 8B | 72 BPM | ||
Sonata in D Major, Kk. 435 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Solomon, HWV 67, Act I Scene 1: No. 4 "With pious heart, and holy tongue" (Chorus of Priests) | George Frideric Handel, RIAS Kammerchor, Daniel Reuss, Akademie für Alte Musik Berlin | D Minor | 1 | 7A | 77 BPM | ||
Dies ist der Tag, Fk. 85: Choral: Heilger Geist in Himmels Throne | Wilhelm Friedemann Bach, Barbara Schlick, Claudia Schubert, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 80 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: IX. The airy Violin | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze | D♭ Major | 1 | 3B | 73 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Symphony in D Major, H. 663: II. Largo | Carl Philipp Emanuel Bach, Café Zimmermann, Pablo Valetti | G Major | 0 | 9B | 115 BPM | ||
Der Herr ist mein getreuer Hirt, P81 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM | ||
Sonata in E Minor, No. 8: III. Sarabanda: Largo | Arcangelo Corelli, François Fernandez, Glen Wilson | A♭ Minor | 3 | 1A | 122 BPM |