"Misatango, Misa a Buenos Aires: IV. Qui tollis" by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra was released on January 6, 2017. The duration of Misatango, Misa a Buenos Aires: IV. Qui tollis is about 3 minutes long, at 3:02. Based on our data, "Misatango, Misa a Buenos Aires: IV. Qui tollis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Palmeri: Misatango, Misa a Buenos Aires". In this album, this song's track order is #4. Misatango, Misa a Buenos Aires: IV. Qui tollis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Misatango, Misa a Buenos Aires: IV. Qui tollis by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Blessing of Aaron | McFarland High School A Cappella Choir | D♭ Major | 1 | 3B | 85 BPM | ||
Banalites, FP 107: Fagnes de Wallonie | Francis Poulenc, Christine Lajarigge, Michel Piquemal | F Major | 1 | 7B | 116 BPM | ||
I Think Upon the Faithfull Day | Kiev Chamber Choir | D♭ Major | 1 | 3B | 74 BPM | ||
Messa di Gloria e Credo: Kyrie | Gaetano Donizetti, Cordelia Palm, Nicole Libraire, Jean-Luc Viala, Vincent Le Texier, Helene Jossoud, Danielle Borst, Choeur Regional Paca, Michel Piquemal, Orchestre Lyrique Avignon/Provence | F Minor | 0 | 4A | 109 BPM | ||
Gloria, FP 177: Gloria in excelcis Deo | Francis Poulenc, Danielle Borst, Ile de France Vittoria Regional Choir, Orchestre De La Cite, Michel Piquemal | E♭ Major | 0 | 5B | 67 BPM | ||
Ars Longa Vita Brevis | Anki Svan, Trio al Dente | F Major | 2 | 7B | 134 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Misa a Buenos Aires "Misatango": Credo | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Minor | 1 | 5A | 78 BPM | ||
Sacred Symphony of the Templars | Rick Oli | A♭ Minor | 2 | 1A | 137 BPM | ||
Responsorios: Iesum tradidit impius (a 4 v.g.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | E♭ Major | 5 | 5B | 115 BPM |
Section: 0.58343505859375
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