"Dies iræ, S. 31: Dies iræ" by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé was released on February 4, 2022. With Dies iræ, S. 31: Dies iræ being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 1 out of 38. On top of that, France appears to be the country where this track was created. In terms of popularity, Dies iræ, S. 31: Dies iræ is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dies iræ, S. 31: Dies iræ by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de requiem: I. Requiem | André Campra, Philippe Herreweghe, Orchestre de La Chapelle Royale, Chœur de la Chapelle Royale, La Chapelle Royale | E♭ Major | 2 | 5B | 82 BPM | ||
Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Matrona inimica" | Antonio Vivaldi, Rachel Redmond, Jordi Savall, Le Concert Des Nations | A Major | 3 | 11B | 174 BPM | ||
Ballet du Mariage de Pierre de Provence et de la belle Maguelonne: "Rompez les charmes du sommeil" (Air de la Ridicule) | Etienne Moulinie, Ensemble Correspondances, David Tricou, Davy Cornillot, Etienne Bazola, Lucile Richardot, Marc Mauillon, Nicolas Brooymans, Sébastien Daucé | C Minor | 2 | 5A | 118 BPM | ||
Membra Jesu Nostri, BuxWV 75: VII. Ad faciem. Illustra faciem tuam | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 165 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Super flumina Babilonis, S. 13: IV. Hymnum cantate nobis | Michel Richard Delalande, Les Arts Florissants, William Christie | B Major | 1 | 1B | 179 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
Misero, così va - from Eliogabalo | Francesco Cavalli, Ed Lyon, Theatre of the Ayre, Elizabeth Kenny | A♭ Minor | 3 | 1A | 96 BPM | ||
Motets pour la Chapelle du Roy: Super flumina Babylonis | Henri Dumont, Ensemble Correspondances, Sébastien Daucé | F Minor | 2 | 4A | 118 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM |
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