"Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus)" by George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre was released on November 18, 2022. The duration of Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 22 in Eternal Heaven by George Frideric Handel, Thomas Dunford, Jupiter, Lea Desandre, Iestyn Davies. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus) by George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626, Act I: Fear no danger - See, your royal guest appears | Henry Purcell, La Nuova Musica, David Bates, Hilary Cronin, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Missa Paschalis, ZWV 7: Dona nobis pacem | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 1 | 4B | 173 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Confitebor tibi Domine, ZWV 72: Redemptionem misit - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 0 | 1A | 108 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Te Deum in D Major, HWV 283, "Dettingen": We praise Thee, oh God | George Frideric Handel, Dorothee Fries, Matthias Rexroth, Thomas Cooley, Raimund Nolte, Siegen Bach Choir Collegium, Friedemann Immer Trumpet Consort, Hanoverian Court Orchestra, Ulrich Stötzel | D♭ Major | 3 | 3B | 102 BPM | ||
Nisi Dominus, RV 608: IV. Cum dederit | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | A♭ Major | 1 | 4B | 142 BPM |
Section: 0.6589312553405762
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