"Missa Dolorosa: I. Kyrie" by Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic was released on July 26, 2000. Since Missa Dolorosa: I. Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 20 in Caldara: Missa Dolorosa / Stabat Mater / Sinfonias in G and E Minor by Antonio Caldara, Swiss-Italian Radio Chorus, Rene Clemencic. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Missa Dolorosa: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa Dolorosa: I. Kyrie by Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Maddalena ai piedi di Cristo: No. 26 Aria Maddalena "Voglio piangere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | E Major | 1 | 12B | 175 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Missa Solemnis: II. Gloria in excelsis Deo | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 102 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": III. Recitative: "Saget es, die ihr erlöst seid durch den Herrn" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | B♭ Major | 0 | 6B | 68 BPM | ||
Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Minor | 1 | 4A | 125 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: IX. Sicut erat | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 3 | 10B | 87 BPM | ||
Kuoro, Katselen Golgatalle Päin | Heikki Rainio, Ari Rautakoski, Cantio Laudis -kuoro, Sirkka Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: IVb. Sanctus. Osanna in excelsis | Franz Schubert, Cleveland Orchestra, Franz Welser-Möst, Cleveland Orchestra Chorus | C Minor | 1 | 5A | 84 BPM |
Section: 0.979050874710083
End: 0.9829444885253906